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Monroe Movie Est. 2011 · Brooklyn

CANNES 2024 · FRANCE · 12 DAYS ON THE CROISETTE

From Cannes '24 — Dispatches, Reviews, and Notebook Pages from the Croisette.

Twelve days, eighty-two screenings, eleven critics on the ground. Our running coverage of the 77th Cannes Film Festival — long-form reviews from competition, Un Certain Regard, Directors' Fortnight, and the late-night rediscovery screenings most outlets skip.

Read the Cannes '24 coverage →
Duotone photograph of the Cannes Croisette promenade during the festival.

AN EDITOR'S NOTE

What the Festivals page is, and who it's for.

The Festivals hub is our working critic's desk — the place where 38 international film festivals, 11 staff critics, and 14 years of editorial coverage meet a single reader with a watchlist to plan. Every festival page carries the same architecture: a marquee dispatch from the current edition, the running archive of reviews we've published, the dispatch notebooks our critics kept on the ground, and the festival-specific context that turns a screening into a story.

Festival programmers come here for the long reads they can pass to juries and acquisition teams. Independent distributors use it to track the critical reception of titles they've repped across the circuit. Cinephiles planning the next six months of serious viewing come for the watchlist that quietly forms when you read thirty reviews from one edition in a row.

We do not chase premieres for traffic. We sit through everything, take notes in the dark, and publish what we actually saw — at an average of 1,800 words per review, four times the industry standard.

  • 38festivals covered since 2011
  • 11critics on the ground each season
  • 1,800average words per festival review
  • 58,000+subscribers receiving dispatches

FROM A BERLINALE NOTEBOOK

“You can tell the distributors in the Berlinale Palast by what they do between the credits and the next lights-down. The American buyers check their phones. The French ones keep watching the screen even after the house lights come up, as if the film might do one more thing for them. We keep watching too. That is the job — to keep watching past the point where the official business of the festival has already moved on to the next screening.”

— Notebook entry, Berlinale 2024, posted March 2nd

RECENT DISPATCHES

Recent dispatches from the festival circuit — newest first.

A working selection from the past six months across our 38-festival roster. Click any card to open the full review, dispatch notebook, or critic essay.

A critic taking notes during a Cannes press screening.

CANNES 2024 · DISPATCH

Three Days, Eleven Screenings: Notes from the Croisette Marathon

Empty cinema interior at the Berlinale Palast.

BERLINALE 2024 · REVIEW

The Long Goodbye: On the Closing Film and the Festival It Wrapped

Crowded TIFF screening queue in winter evening light.

TIFF 2023 · DISPATCH

Toronto, Day Six: The Quiet Consensus Forms Around Three Titles

A Sundance film set recreation on Park City's Main Street.

SUNDANCE 2024 · REVIEW

Park City Notebook: The Indie That Quietly Became the Year

THE FESTIVALS DISPATCH

Festival dispatches in your inbox — before the awards-season consensus forms.

A weekly newsletter from Monroe Movie sent every Sunday morning during festival season — long-form reviews from the weekend's screenings, the dispatch notebooks our critics kept on the ground, and the watchlist quietly forming before the trades announce theirs.

  • Sunday morning. Sent before the trades publish their Monday wrap.
  • Festival-locked. A 38-festival rotation; no listicles, no roundups from festivals we did not attend.
  • Read by 58,000+ subscribers across NYC, London, Berlin, Tokyo, and Los Angeles.

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