Skip to content
Monroe Movie Est. 2011 · Brooklyn
Monroe Movie Est. 2011 · Brooklyn, NY

The Monroe Movie Weekly · Issue No. 627

Reviews worth your Tuesday night.

A weekly newsletter of long-form film criticism from eleven working critics — one lead review, one festival dispatch, three things worth your screen time, and the one film we walked out on. Read by 58,000 cinephiles every Friday morning.

One email, every Friday. No tracking pixels, no sponsored slop. Unsubscribe in two clicks.

Issue No. 626 · Friday, March 14

What landed in last Friday's issue.

Each edition runs roughly 1,400 words and links out to the full reviews on the site. No paywall, no autoplay video.

01

Lead Review

A 2,100-word defense of "The Taste of Mango," and why the festival circuit buried it.

By I. Okafor · 12 min read

02

Festival Dispatch

Berlin, day six: three quiet films, one standing ovation, and a director who walked.

By M. Devereux · 8 min read

03

Three to Stream

A 1989 Thai drama, a 2016 Moroccan short, and the only Pixar sequel worth rewatching.

By the Editors · 5 min read

Plus: one film we walked out on, and the print zine's table of contents.

Read by 58,000 cinephiles, cited by the publications you already read.

58,000+ weekly subscribers across 41 countries
142% reader growth between 2021 and 2024
11 working critics across NYC, London, Berlin, and Tokyo
12,400+ films reviewed since 2011 — every edition is backed by the archive
  • Featured in Sight & Sound's "Best Online Film Criticism" roundup, 2019 · 2022 · 2024
  • "Best Indie Film Blog" — IndieWire readers' poll, 2020 and 2023
  • Cited by The Guardian, Vulture, and The Atlantic in 60+ feature articles

From the archive

Every Friday since 2011, kept on the record.

627 issues and counting. The back catalog is browsable, searchable, and fully indexed by director, festival, and year.

Issue No. 624 · Feb 28

The Oscars post-mortem, plus three foreign-language films we wish had been nominated.

Issue No. 623 · Feb 21

Sundance 2025 wrap: the eight films that will actually get released.

Issue No. 622 · Feb 14

A 3,400-word essay on the death of the mid-budget drama, and the four keeping it alive.

What you're actually signing up for.

How often, and when?
One email, every Friday around 7 a.m. Eastern. Roughly 1,400 words, readable in eight minutes.
Will you sell my address or stuff tracking pixels in the email?
No on both counts. We don't run ad pixels, we don't share the list, and we don't accept sponsored placements in the newsletter itself.
What kind of films, exactly?
Arthouse, indie, foreign-language, festival-circuit, and the occasional studio film worth a serious argument — not box-office coverage and not trailers.
Does it cost anything, and how do I leave?
Free, always. The unsubscribe link is at the bottom of every issue and works in two clicks — no retention survey, no "are you sure" page.

One email. Every Friday. No slop.

Read us Friday morning.

Join 58,000 cinephiles who already get the week's worth of reading in their inbox.

No spam, ever. Unsubscribe in two clicks.